In a notable event that has captured the attention of both political and cultural observers in Pakistan, Bilawal Bhutto Zardari, the Chairman of the Pakistan Peoples Party (PPP), made a grand entrance at a recent political rally while the controversial song “FA9LA” played in the background. This incident has sparked discussions about the ongoing ban on the song “Dhurandhar,” which has been a subject of contention in the country.
The rally took place in Karachi on December 17, 2025, where Bhutto was addressing supporters ahead of the upcoming general elections scheduled for early 2026. The choice of music for his entrance, particularly the use of “FA9LA,” has raised eyebrows, especially given the backdrop of the ban on “Dhurandhar,” a song that has been criticized for its lyrics and perceived promotion of violence.
“FA9LA,” which has gained popularity in recent months, is characterized by its upbeat tempo and catchy lyrics. Despite the ban on “Dhurandhar,” the song has resonated with a significant segment of the population, particularly among the youth, who have embraced it as a form of expression and resistance against censorship. The juxtaposition of Bhutto’s entrance to “FA9LA” against the backdrop of the “Dhurandhar” ban highlights the ongoing cultural tensions in Pakistan, where music and artistic expression often intersect with political narratives.
The ban on “Dhurandhar” was implemented by the Pakistan Electronic Media Regulatory Authority (PEMRA) in late 2025, following widespread criticism from various quarters, including civil society organizations and political opponents. Critics of the song argue that its lyrics glorify violence and undermine social harmony, while supporters contend that it reflects the realities of life in certain regions of Pakistan. The ban has led to a broader debate about freedom of expression and the role of regulatory bodies in determining what constitutes acceptable content in the media.
Bilawal Bhutto’s decision to enter the rally to “FA9LA” can be viewed as a strategic move to connect with younger voters who are increasingly disillusioned with traditional political narratives. The PPP, which has historically been associated with progressive policies and social justice, is seeking to re-establish its relevance in a rapidly changing political landscape. By aligning himself with popular culture, Bhutto aims to galvanize support and energize his base ahead of the elections.
The implications of this incident extend beyond the immediate political context. It underscores the growing influence of music and popular culture in shaping political discourse in Pakistan. As artists and musicians continue to push boundaries, the government faces the challenge of balancing regulation with the need to foster a vibrant cultural scene. The ongoing debates surrounding censorship and artistic freedom are likely to intensify as the election approaches, with various political parties leveraging cultural narratives to bolster their campaigns.
Moreover, the use of “FA9LA” during Bhutto’s rally reflects a broader trend of political figures utilizing popular music to enhance their public image and connect with constituents. This phenomenon is not unique to Pakistan; similar strategies have been observed in various countries where political leaders seek to resonate with the sentiments of the populace through cultural mediums.
As the political landscape in Pakistan evolves, the intersection of music, culture, and politics will continue to play a significant role in shaping public opinion and voter behavior. The upcoming elections will serve as a critical juncture for the PPP and other political parties as they navigate the complexities of a society that is increasingly influenced by cultural expressions.
In conclusion, Bilawal Bhutto’s entrance to “FA9LA” amid the ongoing ban on “Dhurandhar” highlights the intricate relationship between politics and culture in Pakistan. As the nation prepares for the upcoming elections, the implications of this incident may reverberate through the political arena, influencing not only voter sentiment but also the broader discourse on freedom of expression and the role of music in society. The events of December 17, 2025, may well mark a pivotal moment in the evolving narrative of Pakistan’s political landscape.
