Bengal singer Lagnajita Chakraborty has alleged that she was the target of an attempted assault following her performance of the song “Jago Maa” at a cultural event in Kolkata. The incident, which has drawn significant media attention, reportedly occurred on December 20, 2025, shortly after Chakraborty concluded her performance at the event organized by the Trinamool Congress (TMC), the ruling political party in West Bengal.
According to Chakraborty, the alleged assailant, identified as Mehboob Mallik, approached her after the performance and attempted to physically assault her. The singer stated that she managed to escape the situation and subsequently filed a complaint with the local police. In her complaint, she detailed the events leading up to the alleged assault, expressing her concerns about the safety of artists in public spaces.
The song “Jago Maa,” which translates to “Awaken Mother,” is a secular piece that promotes unity and harmony among different communities. Chakraborty, known for her contributions to Bengali music, has been an advocate for cultural inclusivity and has often used her platform to address social issues. The performance was part of a larger event aimed at celebrating cultural diversity, which has made the alleged incident particularly alarming for many in the community.
The TMC, which organized the event, has publicly condemned the alleged assault. Party officials have expressed their support for Chakraborty and emphasized the importance of ensuring a safe environment for artists and performers. The incident has sparked discussions about the treatment of women in the arts and the need for greater protections against harassment and violence.
Chakraborty’s allegations come against a backdrop of increasing awareness and activism surrounding issues of gender-based violence in India. In recent years, there has been a growing movement advocating for women’s rights and safety, particularly in the entertainment industry. High-profile cases of harassment and assault have prompted calls for systemic changes to protect women in various sectors, including music, film, and theater.
The timeline of events surrounding the alleged assault has raised questions about security measures at public events. Witnesses at the performance reported that the atmosphere was celebratory, with attendees enjoying the music and cultural displays. However, the incident has highlighted potential vulnerabilities in event security, particularly regarding the protection of performers from harassment.
In the wake of the allegations, social media has become a platform for discussions about the treatment of women in the arts. Many users have expressed solidarity with Chakraborty, sharing their own experiences of harassment and calling for accountability. The hashtag #JusticeForLagnajita has gained traction, with supporters demanding that authorities take the allegations seriously and ensure that appropriate measures are taken to prevent such incidents in the future.
The implications of this incident extend beyond the immediate concerns for Chakraborty’s safety. It raises broader questions about the cultural climate in West Bengal and the challenges faced by women in public life. As discussions about gender equality and safety continue to evolve, the response to this incident may influence public perceptions and policy decisions regarding women’s rights and protections in the arts.
Law enforcement officials have stated that they are investigating the allegations and have urged anyone with information about the incident to come forward. The police have also indicated that they will review security protocols for future events to enhance the safety of performers and attendees alike.
As the investigation unfolds, the incident serves as a reminder of the ongoing challenges faced by women in various fields, particularly in environments where they are vulnerable to harassment and violence. The response from the community, law enforcement, and political leaders will be closely monitored as stakeholders seek to address the underlying issues that contribute to such incidents.
Chakraborty’s experience underscores the importance of creating safe spaces for artists and performers, as well as the need for continued advocacy for women’s rights in India. The outcome of this case may have lasting implications for the cultural landscape in West Bengal and beyond, as it highlights the urgent need for systemic change to protect individuals from harassment and violence in public life.
